Iran Colloquium: The City and the Country: On the Temporal -

May 22, 2016 - #Kiarostami class at #Columbia University (Farbod Honarpisheh, 2015)

Yale University presents at Symposium @ NYU: Persepolis, Then and Now November 22, 2019 The symposium will bring together a panel of speakers to explore the history and archaeology of ancient Persepolis—along with its revival in the modern era, in the visual imaginations of artists such as Parviz Tanavoli and others FARBOD HONARPISHEH a School of Cinema , Concordia University , Montreal, Canada Published online: 22 Oct 2010. To cite this article: FARBOD HONARPISHEH (2005) The Oriental ‘Other’ in Soviet Cinema, 1929–34, Critique: Critical Middle Eastern Studies, 14:2, 185-201, DOI: 10.1080/10669920500135561 Farbod Honarpisheh is currently a postdoctoral associate with Yale’s Film and Media Studies Program. His dissertation, “Fragmented Allegories of National Authenticity: Art and Politics of the Iranian New Wave Cinema of the 1960s and 1970s,” was completed at Columbia University. Upcoming Talks and Conferences 2019 – Presentation of essay called “In Europe, in Iran, Expanding on the Temporal Fissures of Modernism of Uneven Development” to Modernism and Multiple Temporalities Conference (Aoyama Gakuin University, Tokyo) organized by Modernist Studies in Asia Network (MSIA) in September.

Farbod honarpisheh

Nov 2, 2014 Honarpisheh, Farbod, 'The Oriental “Other” in Soviet Cinema, 1929-34', Critique: Critical Middle. Eastern Studies 14, 2005, no. 2, pp. 185-201. Mar 8, 2019 Farbod Honarpisheh, University of Pittsburgh.

Farbod | Dr. Farbod Honarpisheh / Yale University (Film and Media Studies/Comparative Literature) Honarpisheh, Farbod. The New Wave (Moj-e Now), as the rather large body of “quality films” made in Iran before the 1979 revolution came to be known, forms the main thematic concern of this study. From start to end, however, this primary track of investigation is opened up to other mediums of cultural production: Farbod Honarpisheh (Film and Media Studies, Yale University) 4:15pm Iannis Xenakis and Persepolis: Music as Spectacle Carey Lovelace (Independent Curator) 5:00pm Parviz Tanavoli, Persepolis, and the Reinvention of Persian Sculpture Lucy Oakley (Grey Art Gallery, NYU) The Program in Iranian Studies Iran Colloquium presents Farbod Honarpisheh, E. Yarshater Postdoctoral Associate at Yale University: "The City and the Country: On the Temporal Fissures of the Iranian New Wave Cinema." Register here.

Introduced by Farbod Honarpisheh, Postdoctoral Associate, Film and Media Studies, Yale University. Co-sponsored by NYU’s Department of Cinema Studies, Hagop Kevorkian Center for Near Eastern Studies, Ottoman and Turkish Studies Initiative (OTS-NYU), and Grey Art Gallery.

Farbod Honarpisheh is presently the E. Yarshater Postdoctoral Associate at Yale University. His dissertation, “Fragmented Allegories of National Authenticity: Art and Politics of the Iranian New Wave Cinema of the 1960s and 1970s,” was completed at Columbia University.

Fleeting visions of a melting world, loud cities and streets, knives cutting across bodies, across cinema screens, villages in ruin, neighborhoods of the everyday, images of a plagued presence, a haunting past.Maintaining a focus on the body of cinematic work that has come to be known as the Iranian New Wave Cinema of the 60s and 70s, this study first draws a trajectory of the analyses that

People. Core Faculty. Affiliate Faculty.

My dissertation, “Fragmented Allegories of National Authenticity: Art and Politics of the Iranian New Wave Cinema of the 1960s and 1970s,” was completed at Columbia University. Farbod Honarpisheh, Yale University, Film and Media Studies Department, Faculty Member. Studies Film and Media Studies, Comparative Literature, and Critical Theory. I left my hometown of Shiraz in Iran soon after finishing high school. 115 Prospect St., New Haven, CT 06520-8206.

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Farbod Honarpisheh (Yale University), “The City and the Country: On the Temporal Fissures of the Iranian New Wave Cinema” (Iran Colloquium) Event time: Friday, March 26, 2021 - 12:00pm

"You Are On Indian Land". In Jerry White (ed.). The Cinema of Canada. London: Wallflower Press. lk.81–89.

2017-05-10 https://wikiseda.org/Farshad+Pixel/-/Honarpisheh 2017-05-10 2017-05-07 https://wikiseda.org/Farbod/-/Kargadan 2017-05-07

It is formed by the juxtaposition of two tracks, differentiated by their tone With Professor Marta Figlerowicz, Professor Farbod Honarpisheh, and Professor Katie Trumpener. 7.30-10.35 SOLYARIS [Solaris] Andrei Tarkovsky | USSR | 166min. Introduced by Professor John MacKay. 23 February, in LORIA 250.

“The Indian Film Sep 1, 2020 Farbod Honarpisheh, 2005, The Oriental 'Other' in Soviet Cinema, 1929–34, p. 188, refering to the film „Turksib“. Such a critical perspective, May 11, 2012 Blocker, Hamid Dabashi, Catherine Asher, Robert Silberman, Hamid Reza Severi, Negar Mottahedeh, Farbod Honarpisheh and my fellow Farbod Honarpisheh.